The Garden

22″ x 30″ hand-cut collage

Commissioned by the Head of Tutorial & Admissions at Girton College, Cambridge.

This collage is based on the theory that there once existed in old Europe a matriarchal society that worshipped the divine feminine (or Great Goddess) – a time when peace and wisdom prevailed. The imagery used recalls the symbolism of the Great Goddess (inc. the bird, snake, bull and various flora), as described in the work of archaeologist Marija Gimbutas. Although Gimbutas’ work is criticised for its idealism and unsubstantiated conclusions, her vision of a matriarchal world is inspiring nonetheless; a world where the life-giving and life-sustaining powers of woman are revered, where the earth is respected, and where life is lived in harmony with nature free from war.

The Garden (detail.a)

The Garden (detail.b)

The Garden (detail.c)

The Garden (detail.d)

The Garden (detail.e)

The Garden (full)



Isle of Man Art Festival

The Sapphire Coast, NSW Australia

Shown at the Hodgson Loom Gallery as part of the Isle of Man Art Festival 2017.


12″x12″ hand-cut collage

Before the British commandeered Australia for use as an open prison and began sending its undesirables – from petty thieves to Irish political activists – the Sapphire Coast was home to the Yuin people (a collective name that designates several distinct tribes); people who’d lived in harmony with land and sea for over 30,000 years, taking little from it and certainly never destroying it. The first European sighting of the coast’s original inhabitants was recorded in the journal of Captain James Cook – to the British, a celebrated explorer and note-taking coastal cartographer of land the Empire would seize by fair means or foul (mostly foul); and to the first people of Australia, the breath of a leviathan so mighty, it would descend upon their land and destroy their way of life in what was a complete and often brutal takeover.

In less than 200 years from Cook’s 1788 sighting, the Yuin population of this area was reduced by 95%, through a combination of killing, disease and displacement. It is an incalculable travesty, one that can never be redressed.

I recently spent time on the Sapphire Coast – in a beautiful and mystical place called, Kalaru. While I was there, I could feel the land, sea and stars yearn for their gentle inhabitants and the symbiotic relationship that existed between them. I made this collage to express that feeling.


12″x12″ hand-cut collage

North of Kalaru, in the Mimosa National Park, is a place called, Aragunnu. There you can find one of the Sapphire Coast’s largest middens. A midden, or occupation site, acted as a repository for shells and bone fragments; a place where a given tribe would leave the remanents of what they had eaten, so the next people to visit would know what kind of food was available in the area, thereby ensuring a greater chance of survival. The midden at Aragunnu is 30 metres long and as much 7 meters deep and is considered sacred to the Yuin People.

Sadly, I did not visit Aragunnu; rather, I stayed at our holiday house making the Kalaru collage (above). However, my friend went there and took lots of photos and told me all about the midden, which she knew I’d love. Despite not seeing it myself, I wanted to make a collage of it to honour my friend’s thoughtfulness and as a reminder that creating can sometimes be at the cost of experience.


12″ x 12″ hand-cut collage

Further down the Sapphire Coast, nestled in Twofold Bay (one of the deepest natural harbours in the world), is a town called Eden. The area has a fascinating whaling history that stretches back millennia. Every year, Baleen whales migrate to and from their breeding grounds, their path cutting directly in front of the bay. At one time, lying in wait were predatory Orcas (from the Latin Orcus, meaning: demons from the underworld) – also known as Killer Whales (despite the fact they are actually dolphins).

Although such behaviour is typical of Orcas whales the world over, those of the Twofold Bay area were unique, in that they developed a symbiotic relationship with the Katungal (coastal people of the Thaua tribe) who originally lived there. The Orcas would drive Baleen whales into shore, then alert the tribesmen, who would spear and kill the Baleen, leaving the Orcas to feast upon their lips and tongues (a favourite delicacy), taking what was left for themselves once the Orcas had finished. It was a sacred relationship which continued for successive generations; indeed, the Katungal considered the Orcas (whom they called, Beowas) to be ancestors that had returned to provide for the tribe.

When the British arrived and took over the area, setting up whaling stations in and around Twofold Bay, one station-owning family made use of the Katungal relationship with the Beowas; eventually destroying in less than 100 years what it had taken the Katungal thousands of years to develop.

Journey Through The Seder

 Created for The Wisdom Daily

April 2016


Early Work

In 2013, the local Community Centre were looking for people to run art classes. I thought collage might be a fun class to teach; so I wrote a proposal, made a few collages and submitted my application. I never heard back from the community centre, but I’ve been making collages ever since.

I love everything about it: looking for the pictures, cutting them out and arranging the compositions. There is only one thing I am not too keen on, and that’s the gluing – which is ironic, as collage is French for to stick.

As with all art, my collages have evolved over time.

EMMELINE (hand-cut collage - paper on paper)

EMMELINE (hand-cut collage – paper on paper)

GIN AND THE SPECTACLE (hand-cut collage - paper on paper)

GIN AND THE SPECTACLE (hand-cut collage – paper on paper)

THE DOG AND THE SHADOW (hand-cut collage - paper on paper)

THE DOG AND THE SHADOW (hand-cut collage – paper on paper)

THE TRUE ROMANTIC (hand-cut collage - paper on paper)

THE TRUE ROMANTIC (hand-cut collage – paper on paper)

SPECTATORS (hand-cut collage - paper on paper)

SPECTATORS (hand-cut collage – paper on paper)

TOULOUSE-LAUTREC IN THE YELLOW HOUSE (hand-cut collage - paper on paper)

TOULOUSE-LAUTREC IN THE YELLOW HOUSE (hand-cut collage – paper on paper)

PROOF (hand-cut collage - paper on card)

PROOF (hand-cut collage – paper on card)

PICTURE SMITH (hand-cut collage - paper on canvas)

PICTURE SMITH (hand-cut collage – paper on canvas)

THIS STRANGE DISEASE (hand-cut collage - paper on paper)

THIS STRANGE DISEASE (hand-cut collage – paper on paper)

Resonance (hand-cut collage – paper on canvas)

STUNG BY THE SPLENDOUR (hand-cut collage - paper on canvas)

STUNG BY THE SPLENDOUR (hand-cut collage – paper on canvas)